The challenge?
The idea seemed simple. We had 30 seconds to convey our retail offer and, simultaneously, age a young couple in a way that would transport them from their first date in high school, through marriage, to buying their first house, and, finally, having their first baby.
The biggest hurdle? There were just a few days to solve the “aging” process because we had to go from presented concept to finished commercial in less than three weeks. No easy task.
Pulling it off would require the right partners. That meant carefully selecting a production company. A director with the vision to make it all happen. Plus, an editor with the creative touch to bring the story to life after everything was shot.
Assembling the team.
After bidding the project with several different companies — and reviewing the creative treatments developed by some very talented directors — we awarded the job to Company Films and director David McNally. Almost immediately, David, along with producer Robert Katz, began assembling their team, including director of photography Joshua Hess.
The next step was casting for the perfect performers. After reviewing hundreds of auditions — and working with selected actors during a lengthy day and late night of call-backs at ASG Casting — we had our cast. Drew Tarver and Christine Donlon would be our couple. The newborn baby who played the part of little Teri — she was born on Sweet Onion Chicken Teriyaki Day — was actually twins Oakley & Tatum Fisher. It was critical to have twins because of the limited time each baby is allowed to be on camera.
Overcoming the production obstacles.
With the cast set, we needed locations to do our filming. The story required an exterior shot at night, an apartment, a newer upscale home and a hospital room. We had four scenes to shoot. But, only one 14-hour day to do it. No problem right? Wrong. There wouldn’t be time to move the cast and crew. The solution? Scout for and select a house that was large enough, and diverse enough, to allow us to transform one bedroom into an apartment and another into a birthing suite. Voila!
Finally, working with SUBWAY® clients Heather Pastir and Steve Fcasni we collaborated with a veteran Hollywood make-up artist and wardrobe stylist that David had selected to plan and execute the aging process. Everything was in the details. Wardrobe, hair, props. We were shooting for a subtle transition. And the results were amazing.